![]() This is, after all, a uniquely complex man: praised as a hero for ending the war, wracked with guilt over Hiroshima and Nagasaki, and perhaps desperate to cleanse his soul through martyrdom. Given the movie’s hefty import, you’d have expected him to infuse every ounce of his talent into this performance, and that is certainly evident from his every moment on screen - often with cinematographer Hoyte Van Hoytema’s IMAX lens focused squarely and unsparingly on his face, as he conjures the conflicting emotions that rage beneath Oppenheimer’s surface. Not to mention Gary Oldman’s acidic cameo as President Truman, who famously dismissed Oppenheimer as “a cry-baby scientist”.Īt the film’s pulsing nucleus is Murphy as Oppenheimer, and he is compelling throughout. Then we have a supporting cast like no other: Benny Safdie as Edward Teller (the inspiration for Dr Strangelove), Kenneth Branagh as Oppenheimer’s Danish mentor Niels Bohr, Josh Hartnett as his close colleague Ernest Lawrence - plus the likes of Olivia Thirlby, Rami Malek, Jack Quaid, Macon Blair, Casey Affleck, David Krumholtz and Alden Ehrenreich popping up in sometimes the smallest of roles. leads the “Fusion” strand as haughty US Atomic Energy Commissioner Lewis Strauss, whose attempt to join Eisenhower’s cabinet as Secretary of Commerce becomes intriguingly more relevant as the film progresses. /rebates/2flife-1999-7672fmovie-overview&. Playing admirably against type, Robert Downey Jr. Is Cody Alcorn Married As far as personal life and marital status are. Given the sheer extent of the dramatis personae, it’s no exaggeration to say that Oppenheimer features Nolan’s most impressive cast yet. See Free Details & Reputation Profile for Cody Alcorn (38) in Wichita, KS. ![]() One might even say the exact opposite trajectory. With one fundamental difference: this difficult historical figure is on a very different trajectory to Oskar Schindler. While it has a logline-level similarity to Nolan’s favourite Spielberg film, Raiders Of The Lost Ark (a man in a hat is racing the Nazis for control of an existentially powerful weapon), its release - and impact - feel more like we’ve reached Nolan’s Schindler’s List moment: a step into deadly serious, portentously resonant, adult material. However, despite being deeply stamped with Nolan’s hallmarks (anti-chronological, shot with IMAX cameras, avoids CGI, stars Cillian Murphy), Oppenheimer feels like something new from the writer-director. It is, of course, a Christopher Nolan movie. Its story unfurls along two oscillating lines – one titled “Fission”, in vivid colour the other titled “Fusion” in high-contrast black-and-white – and cuts between their beats and revelations like an anxious channel-hopper. It is three hours long, densely packed with info-rich dialogue, and mostly plays out, to paraphrase one character, in “shabby little rooms far from the limelight”. It flings you into a very specific, crowded world and refuses to hold your hand, with a notable absence of date- or location-providing subtitles. ![]() This movie was witty, funny and unexpectedly deeper and more meaningful than you. To say its subject matter and theme are inherently downbeat is something of an understatement. Not the comedy you would expect from these two greats together in one movie. ![]()
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